Bob Weir, the guitarist and songwriter who was a founding member of the popular and massively influential American rock band the Grateful Dead, has died. According to a statement from his family posted on his website and social media pages, Weir died from underlying lung issues after recently beating cancer. He was 78.
A member of the Dead for its first three decades, and a keeper of the flame of the band’s legacy for three more, Weir helped to write a new chapter of American popular music that influenced countless other musicians and brought together an enormous and loyal audience. The Grateful Dead’s touring, bootlegging and merchandising set an example that helped initiate the jam-band scene. Its concerts created a community that brought together generations of followers.
Known to fans as “Bobby,” he was born in San Francisco as Robert Hall Parber, but was given up for adoption and raised by Frederick and Eleanor Weir. In 1964, when he was still a teenager, Weir joined guitarist Jerry Garcia in a folk music band, Mother Mcree’s Uptown Jug Band. In May of 1965 Weir and Garcia were joined by bassist Phil Lesh, keyboard player Ron “Pigpen” McKernan and drummer Bill Kreutzmann to form an electric, blues-based rock and roll band that was briefly named The Warlocks. After discovering that there was another band using that name, Jerry Garcia found a phrase that caught his eye in a dictionary and in December of that year they became the Grateful Dead, launching a 30-year run over which time they grew into a cultural institution.
Weir was a singular rhythm guitarist who rarely played solos, choosing instead to create his own particular style of chording and strumming that gracefully supported Garcia’s distinctive guitar explorations especially during the extended jams which were the heart of the band’s popularity.
Lyrics were largely a product of a communal effort between Weir and Garcia, as well as lyricists John Perry Barlow, Robert Hunter, that often blurred the lines between who wrote what. The opening lines to “Cassidy,” which first appeared on Weir’s 1972 solo album Ace and was played by the Dead on live recordings including the 1981 double album Reckoning, reflect the combination of metaphor, rhyme and storytelling set to memorable melodies that the band’s audiences could memorize, analyze and sing along to:
I have seen where the wolf has slept by the silver stream
I can tell by the mark he left you were in his dream
Ah, child of countless trees
Ah, child of boundless seas
What you are, what you’re meant to be
Speaks his name, though you were born to me
Born to me, Cassidy
Weir’s emotive singing, on “Cassidy” and other songs like “Sugar Magnolia,” “One More Saturday Night” and the band’s unofficial theme, “Truckin’, ” often included whoops and yells, in contrast to Garcia’s calm and steady approach. His occasional tendency to forget lyrics was usually greeted by thunderous applause from fans.
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